Every Lowfield release gets two masters: one for streaming and digital download, one specifically for the vinyl cut. They are not the same file with a limiter removed.
A needle in a groove behaves differently than a DAC. Low-end mono compatibility, sibilance, and overall loudness all need different treatment for a physical medium that a laser or a stylus is going to trace at a fixed speed. Skipping this step is how you get vinyl releases that sound like someone just printed the Spotify master to lacquer — technically a record, but not really mastered for one.
Interior Weather is the clearest recent example: the vinyl cut runs about a decibel hotter in the low end than what’s on streaming, because Dust Chapel’s mix has sub content that needed different handling once it hit a physical groove.